■ Zoom lenses
28-135/4.0- 4.6 KONICA Zoom HEXANON AR
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Specifications:
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Field
of view
Elements
/ groups
Aperture
system
Aperture
Scale
Metering
Closest
focusing distance
Filters
Hood
Length
Diameter
Weight
(~)
Years
of production
Number
of versions
Rarity |
75-18º
18/12
Automatic
4.0 to 22 + AE
At full aperture
0.5m (at 28mm)
1.5m (at 135mm)
Screw-in, 67mm
Screw-in, 70mm
XXmm to 115mm
74mm
800g
1983-87
1
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Optical diagram:
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Comments: ● | The
28-135mm zoom is the Hexanon zoom with the greatest focal range. It was probably
also the very first zoom lens of this focal length on the market. Very
well-designed and well- built zoom with a very convenient range. It is the
only Hexanon lens that incorporates an aspheric element. It produces very
sharp images with nice color rendition, great contrast and good CA control. A
fairly heavy lens. Its manufacturing was subcontracted to Tokina, which also
sold this lens in other mounts.
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35-75/3.5 KONICA Zoom HEXANON AR
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Specifications:
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Field
of view
Elements
/ groups
Aperture
system
Aperture
Scale
Metering
Closest
focusing distance
Filters
Hood
Length
Diameter
Weight
(~)
Years
of production
Number
of versions
Rarity |
63-34º
9/9
Automatic
3.5 to 22 + AE
At full aperture
0.35m
Screw-in, 55mm
Screw-in, 62mm
XXmm to 96mm
67mm
480g
1978-81
1
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Optical diagram:
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Comments: ●
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The
Hexanon 35-70/3.5 is the first and best of Konica’s zooms in this convenient
general purpose focal range. It was also the first zoom of its type on the market
to offer continuous focus from close-focusing distance to infinity. It did so
without a “macro” setting usually found on short zooms of this type. At the
close-focusing end, it focuses to 35cm, which was very close for the day. It’s
a push-pull zoom, whose deep focusing/zooming ring serves as a deep hood at the
70mm end. The fore and aft zooming movement shifts the position of the ring/hood,
providing optimal shading while avoiding vignetting as the focal length
changes. It is unusually sharp for a zoom lens of that time, has great color
rendition, and is the best-performing of Konica’s three 35-70mm zooms. It is one of two Hexanon lenses
whose manufacturing was sub-contracted to Tokina and which were released in 1978 with the Konica FS-1, the other being the Hexanon 40/1.8 pancake.
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35-70/3.5-4.5 KONICA Zoom HEXANON AR
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Specifications:
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Field
of view
Elements
/ groups
Aperture
system
Aperture
Scale
Metering
Closest
focusing distance
Filters
Hood
Length
Diameter
Weight
(~)
Years
of production
Number
of versions
Rarity |
63-34º
8/8
Automatic
3.5 to 22 + AE
At full aperture
0.8m (macro = 0.35m)
Screw-in, 55mm
Screw-in, 55mm
XXmm to 62mm
62mm
215g
1985-87
1
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Optical diagram:
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Comments: ●
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The
Hexanon 35-70/3.5-4.5 is Konica’s third and last zoom in this focal range. It
is a two touch zoom like its predecessor, but it is entirely made of plastic.
It is extremely small and light and has a macro function which is very
convenient. It is said that its rear optical element is a plastic aspheric
lens. It was often sold in a kit with the Konica TC-X which came out the same
year. The optical performance of this lens is quite surprising for a zoom and
one made of plastic at that. This lens is probably the last one introduced by
Konica before it decided to abandon the SLR market. This lens was most
probably manufactured by Tokina although the name of other third-party
manufacturers comes up in this context from time to time.
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35-70/4.0 KONICA Zoom HEXANON AR
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Specifications:
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Field
of view
Elements
/ groups
Aperture
system
Aperture
Scale
Metering
Closest
focusing distance
Filters
Hood
Length
Diameter
Weight
(~)
Years
of production
Number
of versions
Rarity |
63-35º
8/7
Automatic
4 to 22 + AE
At full aperture
0.8m
Screw-in, 55mm
Screw-in, 62mm
XXmm to 70mm
68mm
390g
1981-85
1
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Optical diagram: |
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Comments: ●
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The
Hexanon 35-70/4.0 is Konica’s second zoom in this focal range. It’s a
solidly-built lens, in contrast to its successor, the Hexanon 35-70/3.5-4.5.
It’s a two-touch zoom that is pleasant to use. Its optical performance is not
quite equal to excellent standards of the previous 35-70 zoom, but it is
still extremely good for a zoom lens. The manufacturing of this zoom lens was
contracted to Tokina.
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35-100 /2.8 KONICA Varifocal HEXANON AR
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Specifications:
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Field
of view
Elements
/ groups
Aperture
system
Aperture
Scale
Metering
Closest
focusing distance
Filters
Hood
Length
Diameter
Weight
(~)
Years
of production
Number
of versions
Rarity |
63-24°
15/10
Automatic
2.8 to 16 + AE
At full aperture
0.3m (at 35mm)
1m (at 100mm)
Screw-in, 82mm
Clip-on, 85mm
140mm to XXmm
mm (at 100mm)
85mm
1.1kg
1971-76
2
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Optical diagram:
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Comments: ●
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The Hexanon 35-100/2.8 is not a true zoom, but a varifocal-type lens.
The difference has to do with the fact that while true zooms remain in focus as
their focal distance setting is changed, varifocal lenses need to be refocused each
time. This is due to the lens’ internal construction, which may seem a drawback at
first but makes it possible to overcome physical limitations
that are inherent to regular zoom lenses. Firstly, the varifocal design allows
for much closer focus distances to be achieved. Usually the closest focusing
distance of true zooms of comparable focal range is anywhere from 1.8 to 2.4 meters at the short end.
The Hexanon 35-100/2.8 has a closest focusing distance of 35mm at the short end
and 1m at the long end. Secondly, the varifocal approach allows for much better
correction and produces sharper images at all focal lengths than regular zoom
lenses of similar focal length are capable of. In terms of close-focusing
ability and image quality, the performance of Konica’s 35-100/2.8 varifocal is very
close to that of Konica’s better primes of the day. When it was introduced in
1971, the Hexanon 35-100 varifocal was a very innovative piece of equipment. While
there was a handful of varifocal lenses in existence for 35mm SLRs at the time,
this one stood out not only in terms of its above-mentioned focusing abilities,
but also on account of the fact that it was the first moderate wide-angle to
moderate telephoto, variable-focal-distance lenses with a fixed aperture over
the entire focal range. And it is fast: It features a largest aperture of
f2.8 while the largest aperture of other varifocals available at the time was f4.
This wide constant aperture value made for a large and heavy lens. Other
shortcomings include the lens’ very wide front element that makes it vulnerable
to flare. It is nevertheless sought and prized for its
surprising image quality. It has the great Hexanon color
rendition that makes it ideally suited for slide photography.
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45-100/3.5 KONICA UC Zoom HEXANON AR
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Specifications:
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Field
of view
Elements
/ groups
Aperture
system
Aperture
Scale
Metering
Closest
focusing distance
Filters
Hood
Length
Diameter
Weight
(~)
Years
of production
Number
of versions
Rarity |
52-24º
11\10
Automatic
3.5 to 16 +AE
At full aperture
0.35m
Screw-in, 55mm
Built-in
85mm (at 45mm)
mm (at 100mm)
70mm
570g
1976-87
1
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Optical diagram:
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Comments: ●
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The
Hexanon 45-100mm is a zoom whose collapsible and compact design and close
focusing capabilities made it unique in its day. Its convenient focal range
makes it probably the most practical of the UC lenses as a general
walk-around lens. It is extremely well-built and produces images of excellent
quality with superior sharpness and contrast at all focal lengths.
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47-100/3.5 KONICA Zoom HEXANON AR-H
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Specifications:
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Field
of view
Elements
/ groups
Aperture
system
Aperture
Scale
Metering
Closest
focusing distance
Filters
Hood
Length
Diameter
Weight
(~)
Years
of production
Number
of versions
Rarity |
51-24º (full-frame)
~ 34-16° (half-frame)
13\8
Automatic
3.5 to 16 +AE
At full aperture
1.8m
Screw-in, 52mm
Screw-in, 52mm
96mm (at 47mm)
mm (at 100mm)
63mm
450g
1965-67
1
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Optical diagram:
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Comments: ●
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This
is the first Hexanon automatic zoom. It was offered along with the
Auto-Reflex and was meant to be used in half-frame mode, with a focal
distance equivalent of about 70-150mm. It produces images of surprising
optical quality. It is an extremely well-made and small zoom that is very
easy to handle.
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58-400/4.0 KONICA Zoom HEXANON ARM
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Specifications:
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Field
of view
Elements
/ groups
Aperture
system
Aperture
Scale
Metering
Closest
focusing distance
Filters
Hood
Length
Diameter
Weight
(~)
Years
of production
Number
of versions
Rarity | 41-6°
14/9
Manual
4.0 to 32
Stopped down
5m
Drop-in, 55mm
Screw-in, 67mm
338mm
130mm
4.3kg
1965-66
1
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Optical diagram:
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Comments: ●
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The
58-400/4.0 is one of the first Konica zooms and the Hexanon zoom with the widest
focal range (nearly x 6.9). It is an enormous beast with a built-in tripod
collar. It was made only in 1965-66 and was available for only 2-3 years. It was one of several zooms of similar focal range offered in
the middle to late sixties by various lens makers. Its optical performance is reputed to have been
very good for a zoom of its period. It disappeared from
Konica’s brochures by the end of the decade. As the only place where I have seen it are Konica brochures in Japanese, I wonder is it was ever available in other markets.
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65-135/4.0 KONICA Zoom HEXANON AR
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Specifications:
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Field
of view
Elements
/ groups
Aperture
system
Aperture
Scale
Metering
Closest
focusing distance
Filters
Hood
Length
Diameter
Weight
(~)
Years
of production
Number
of versions
Rarity |
36-18 º
13/9
Automatic
4.0 to 16 + AE
At full aperture
1.5m
Screw-in, 55mm
55mm
127mm (at 65mm)
mm (at 135mm)
66mm
600g
1971-78
2
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Optical diagram:
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Comments: ●
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The 65-135/4.0 is probably the best Hexanon mid-range zoom. It is a
push-pull zoom that was introduced in the early seventies, alongside the 35-100/2.8
Varifocal. It produces contrasty images with vivid colors. It is also
incredibly sharp for a zoom lens, nearly as sharp as Hexanon primes and
sharper than that of the 70-150 lens that succeeded it. It focal range makes
it an ideal lens for impromptu portrait shots, especially outdoors.
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70-150/4.0 KONICA Zoom HEXANON AR
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Specifications:
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Field
of view
Elements
/ groups
Aperture
system
Aperture
Scale
Metering
Closest
focusing distance
Filters
Hood
Length
Diameter
Weight
(~)
Years
of production
Number
of versions
Rarity |
34-16°
15/12
Automatic
4.0 to 22 + AE
At full aperture
0.8m
Screw-in, 55mm
Built-in
102mm (at 70mm)
mm (at 150mm)
67mm
500g
1982-87
1
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Optical diagram:
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Comments: ●
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This
zoom was introduced in response to Olympus,
which was the first maker to offer a zoom of this focal range. It is the
successor of the Hexanon 65-135/4.0. It produces very good quality images
even though its optical performance is a bit inferior to that of its predecessor.
The manufacturing of this zoom lens was contracted to Tokina.
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70-230/4.5 KONICA Zoom HEXANON ARP
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Specifications:
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Field
of view
Elements
/ groups
Aperture
system
Aperture
Scale
Metering
Closest
focusing distance
Filters
Hood
Length
Diameter
Weight
(~)
Years
of production
Number
of versions
Rarity |
34-11°
13/8
Manual, preset
4.5 to 22
Stopped down
2.5m
Screw-in, 67mm
Screw-in, 67mm
244mm
75mm
1.3kg
1965-66
1
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Optical diagram:
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Comments: ●
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Preset
lenses were quite common in the sixties. Most of the Hexanon AR preset lenses
seem to originate from the F-mount period (1960-1965), when several lenses
were offered in two versions – automatic aperture operation and manually
preset aperture. All of them have an elegant high-gloss black finish and were
manufactured at the time of the Auto-Reflex double-format. Their slower
operation makes them well suited for unhurried and studied photography. They
all have an aperture of 12 blades which form an almost perfect circle and which
closes down to f22. The 70-230/4.5 was one of Konica’s very first zooms. It was
the predecessor of the 80-200/3.5. Offered at the time of the Auto-Reflex
double format SLR, it only exists in the high-gloss black version. It was
only produced for about a year, so it is not very common. Its optical
performance is quite respectable for its day. It is a two-touch zoom with a
built-in tripod collar.
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80-200/3.5 KONICA Zoom HEXANON AR
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Specifications:
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Field
of view
Elements
/ groups
Aperture
system
Aperture
Scale
Metering
Closest
focusing distance
Filters
Hood
Length
Diameter
Weight
(~)
Years
of production
Number
of versions
Rarity |
30-12°
17/10
Automatic
3.5 to 16 + AE
At full aperture
1.8m
Screw-in, 67mm
Screw-in, 67mm
200mm
75mm
1.2kg
1966-75
3
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Optical diagram:
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Comments: ●
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The
80mm to 200mm focal range is ideal for general nature, sport and travel
photography. The Hexanon 80-200/3.5 is the first and one of the two best Hexanon
zooms of this focal range. It produces very sharp and contrasty images. It replaced
the 70-230/4.5 and is Konica’s second automatic zoom. It produces images of
excellent optical quality for a zoom of that period, which is the more
remarkable when one considers that its design goes back to the middle
sixties. It’s a two-touch zoom with built-in tripod collar. It is a large and
heavy lens whose manufacture ended with that of Konica’s large mechanical SLRs.
It was replaces by the Hexanon UC 80-200/4.0.
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80-200/4.0 KONICA UC Zoom HEXANON AR
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Specifications:
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Field
of view
Elements
/ groups
Aperture
system
Aperture
Scale
Metering
Closest
focusing distance
Filters
Hood
Length
Diameter
Weight
(~)
Years
of production
Number
of versions
Rarity |
30-12°
14/10
Automatic
3.5 to 16 + AE
At full aperture
0.7m
Screw-in, 62mm
Built-in
157mm
68mm
835g
1976-83
1
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Optical diagram:
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Comments: ●
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The
Hexanon UC 80-200/4.0 is one of Konica’s five superior UC lenses line. UC
stands for ‘ultra-compact’, ‘ultra-close’ and ‘ultra-coating’. Although, in our
day, this zoom lens may not seem to live-up to the first of these promises, when
it was introduced, in mid-1975, it was the most compact zoom of this range on
the market. But what is most interesting about this lens is its close focusing
distance, 70 cm, from one end of the zooming range to the other. In fact, it
was the closest continual focusing zoom on the market when it came out. Its
close-focusing capability gives it a magnification ratio of 1:2 at all focal
lengths. This was quite an achievement when this lens was introduced. In
addition, its superior UC coatings give it extra flare control and outstanding
color rendition. This lens vies for the position of best Hexanon 80-200 zooms
with the f3.5 model that preceded it. They are rivals in terms of sharpness,
but the UC version has better contrast and color rendition. It is by far the
more numerous of Konica’s 80-200 zooms and is the only lens of the UC line that
can be bought today quite cheaply. Although compact, especially for the day, it
nevertheless would have been well served by a tripod collar.
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80-200/4.0 KONICA Zoom HEXANON AR
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Specifications:
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Field
of view
Elements
/ groups
Aperture
system
Aperture
Scale
Metering
Closest
focusing distance
Filters
Hood
Length
Diameter
Weight
(~)
Years
of production
Number
of versions
Rarity |
30-12°
12/9
Automatic
3.5 to 22 + AE
At full aperture
1.9 m
Screw-in, 55mm
Screw-in, 55mm
138mm (at 80mm)
mm (at 200mm)
65mm
590g
1983-85
1
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Optical diagram:
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Comments: ●
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The
80mm to 200mm focal range is ideal for general nature, sport and travel
photography. This is a push-pull zoom lens of quite good performance. The
manufacturing of this zoom lens was contracted to Tokina, which also sold
this lens in other mounts.
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80-200/4.5 KONICA Zoom HEXANON AR
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Specifications:
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Field
of view
Elements
/ groups
Aperture
system
Aperture
Scale
Metering
Closest
focusing distance
Filters
Hood
Length
Diameter
Weight
(~)
Years
of production
Number
of versions
Rarity |
30-12°
9/7
Automatic
3.5 to 22 + AE
At full aperture
1.1-1.5 m
Screw-in, 55mm
Screw-in, 55mm
133mm (at 80mm)
mm (at 200mm)
65mm
535g
1985-87
1
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Optical diagram:
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Comments: ●
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The
80mm to 200mm focal range is ideal for general nature, sport and travel
photography. The Hexanon 80-200/4.5 is the smallest, lightest and the last of
the four Hexanon zooms to be offered in this focal length. Its image quality
is respectable but fails to exhibit any outstanding qualities, either in
terms of sharpness or contrast. As it was in production for a short time,
just prior to Konica’s abandonment of the SLR market, this lens doesn’t
appear all that often but it is usually very affordable when it does. Its
manufacture was contracted to Tokina, which also sold this lens in other
mounts.
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"Hexanons were built under original Konica
quality control, alleged to be the best in the industry (a reliable source
told me this always ticked off Nikon)."
Peter
Kotsinadelis
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● KONICA ●
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